Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.devamını oku
Arşivimizde
Arşivde bu kişinin bir işi yok. Yukarıdan ekleyebilirsin.
Kamera arkası
Yönettiği, yazdığı, yapımcılığını üstlendiği; en yeniden eskiye
Fictional Art Film
2019
1967
2015
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
